Brian Baumgartner Biography
Brian Baumgartner was born in Atlanta, Georgia, United States, as Brian Bruce Baumgartner. He is an American actor, famous for playing Kevin Malone in the American adaptation of The Office.
Brian Baumgartner Age
Brian Baumgartner was born on November 29, 1972, in Atlanta, Georgia, the U.S. he is 46 years old as of 2018.
Brian Baumgartner Family
There is no information regarding his family background.
Brian Baumgartner Wife
Brian Baumgartner is married to Celeste Ackelson. The couple has one child.
Brian Baumgartner Height
Brian Bruce Baumgartner is an American actor standing at 1.85 m tall.
Brian Baumgartner Image

Brian Baumgartner Career
His television roles are in Jake in Progress, Arrested Development and Everwood. He portrayed a talent scout on Last Comic Standing with his The Office co-star Kate Flannery and starred with Robin Williams, Mandy Moore and John Krasinski in License to Wed. In June 2007, Baumgartner won a Daytime Emmy Award for Outstanding Broadband Program – Comedy, for his work on The Office: The Accountants webisodes. His co-stars Angela Kinsey and Oscar Nunez also shared the award. He also appeared in Ingrid Michaelson’s music video “Time Machine.” Baumgartner is also an accomplished golfer.
He served as the Artistic Director of Hidden Theatre situated in Minneapolis, Minnesota. In addition, he starred in television series such as Jake in Progress, Arrested Development and Everwood. In 2007, he won a Daytime Emmy Award for Outstanding Broadband Program – Comedy.
Brian Baumgartner Net Worth
Brian Baumgartner is an American film and television actor who has a net worth of $6 million.
Brian Baumgartner Basketball
Brian Baumgartner, starred as Kevin Malone in Basketball, the fifth episode of the first season of the American comedy television series The Office an American television.
Brian Baumgartner Criminal Minds
Criminal Minds is an American police procedural crime drama television series, where Brian Baumgartner featured in as Bill Harding.
Brian Baumgartner Golf
Baumgartner is an accomplished golfer.
Brian Baumgartner Movies
Year |
Title |
Role |
2001 |
Herman U.S.A. |
Roger |
2003 |
The Lyon’s Den |
Al Grissom |
CSI: Crime Scene Investigation |
Dog Man (uncredited) |
|
2004 |
LAX |
Wes |
2005 |
Arrested Development |
Gun Vendor |
Jake in Progress |
Michael |
|
Everwood |
Contractor |
|
2005–13 |
The Office |
Kevin Malone |
2006 |
Moosecock |
Paul Wood |
2007 |
License to Wed |
Jim |
2008 |
Four Christmases |
Eric |
Celebrity Family Feud |
Himself |
|
2009 |
Into Temptation |
Fr. Ralph O’Brien |
2010 |
House of Good and Evil |
Bob Bradley |
Dirty Girl |
Concierge |
|
2011 |
Adventure Time |
Georgy / Private in Movie (voices) |
2012 |
Astronaut: The Last Push |
Bob Jansen |
Wilfred |
Hospital Orderly |
|
2013, 2015 |
Hot in Cleveland |
Claude |
2013 |
Mike & Molly |
James, Molly’s Union Rep. |
2014 |
Criminal Minds |
Bill Harding |
Law & Order: Special Victims Unit |
Gordon Montlieff |
|
The Bridge |
Gary / Daniel Frye’s AA sponsor |
|
2015 |
Nicky, Ricky, Dicky & Dawn |
Jo McCoy |
Melissa & Joey |
Hank Jeffers |
|
2016 |
Ordinary World |
Rupert |
Chicago Fire |
Scott Powers |
|
Ghostbusters: Answer the Call |
Frank the Mercado Hotel guest |
|
The Goldbergs |
Larry |
|
Scream Queens |
Richard |
|
2017 |
Life in Pieces |
Dean the Airline Passenger |
Disjointed |
Krinkle the Clown |
Brian Baumgartner Video
Brian Baumgartner Instagram
https://www.instagram.com/p/Bvzyw0FFJx_/?utm_source=ig_web_copy_link
Brian Baumgartner Twitter
Brian Baumgartner Interview
Published: /2006/05/02
Source: www.hobotrashcan.com
Where are you originally from? What was your childhood like?
I’m originally from Atlanta, Georgia. I was born there, grew up there and I was very into sports until a pretty significant injury and surgery made me get into the acting thing. But, that was at a fairly young age. I was like 13.
Do you mind talking about what happened?
I certainly can. I had a problem with my leg – I played baseball. I went and tried to have some surgery to get it fixed up so I could continue playing baseball. There was a problem and I actually ended up going over the course of a year from a wheelchair to a walker at age 13 to crutches to a cane. This was in junior high.
I had a guy who was in junior high and he left, went to another school and we ended up in high school at the same time. He told me years later; after we became friends that he thought a miracle had happened. He thought that I had been cured, because the whole year that he knew me before, he thought that I had some degenerative disease.
Because I was active and I wanted to stay active and involved, I started doing theater and it kind of stuck from there. The sports thing gradually went away.
What was it like early on? Did you do school plays?
Yeah, I did the school plays. I actually sang once upon a time. I did sort of the whole art thing. I went to the cherub program at Northwestern University after my junior year of high school. It was an amazing experience for high school kids. I decided at that point that this was something that I really wanted to do and eventually, went to a conservatory BFA program at college and was on a very straight and direct path from there.
How tough is it to break into the business? How many auditions did you go to before you landed a role?
A lot of people from our show have done the Improv circuit and have done a lot of Improv stuff. I was a straight theater guy, so I spent a lot of time in Minneapolis and Chicago and around the country doing regional theater and just moved to LA actually about two years ago, maybe two and a half years ago now. So it’s been a long time for me doing theater and I’ve just sort of started now to get into the film and television business side of it.
What made you decide to try to make the switch?
Life in the theater is really hard. The hours in what we do now can be taxing, long and difficult, but performing eight shows a week every night, it’s difficult to have a personal life. It’s difficult to keep up that schedule over an extended period of time and I did for years. Ultimately, I know it’s really cool to hate LA, so I kind of wish I could blast LA and relive the glory days on the east coast or whatever. But I visited out here and I loved it, I loved the weather and the lifestyle and film and television has always been something that interested me and I wanted to do something new and have a new challenge and it’s been great so far. I’ve been incredibly lucky, I will say. The amount of time it’s taken for stuff to start to happen for me out here, I realize how lucky I’ve been.
You’ve appeared on LAX, CSI and Arrested Development. What was it like working on those shows and which one was your favorite appearance?
Every show is different. It’s all been part of a process for me to figure things out. I got cast on The Office after I had been in Los Angeles for about four months. Because of how our show has been picked up and the number of episodes the first year just being six, really that was shooting the pilot, then just doing five more. There’s been a lot of time in there where I’ve done these other shows, but The Office has been a constant for me almost since when I first came out here. I auditioned I believe in January of 2004, so it’s been over two years that that’s been going.
How did land the role of Kevin on The Office, and how was the character explained to you initially?
The character as I understand it was listed on the breakdowns something like, “The only spectacular thing about Kevin is that he spectacularly has nothing spectacular about him.” The word spectacular used five times basically means there is nothing special. As my agent joked about it, why would anyone’s agent pitch their client for this role? This guy is really dull. There is really nothing special about this guy. But I was familiar with the British version and obviously, I loved that. I pegged this role as being something that would be good for me. The fact that I had been here such a short time and they were really looking for people who weren’t known, I felt like gave me an advantage over a lot of shows where they want somebody with a name or want somebody with more credits. The fact that I had done theater and they were looking for something very real and small and subtle I thought helped me as well.
The beauty of Kevin is that it’s not necessarily what he says, but it’s how he says it and the mischievous little smile that usually follows. Can you identify with Kevin? Do you think you are similar to Kevin at all?
(Laughs) I would not say that I am similar to Kevin. No. Whether this is true or not, I don’t know. Some people have said that I am the most unlike my character on the show. But, I guess if you meet me, you can draw your own opinions about that. Maybe I’m deluding myself.
The way that I identify with Kevin or what I think is kind of beautiful about him is – to me he’s someone who has no consciousness or recollection of the past or can identify any ramifications to the future. So he’s a guy that’s just true in the moment. So if he is delighted by something, he lets you know that he is delighted by something, even if he has no awareness that might cause him trouble down the line. It’s a very simplistic way of looking at it, but it allows him to respond truly how he feels in that exact moment and if he says something that maybe he realizes he shouldn’t have said, it’s only because that is exactly what he was thinking at that exact moment. Does that make sense?
Yeah, it does. That was a pretty deep answer there.
(Laughs.) I’m a really deep guy, unlike Kevin. The other thing that some of us on set have talked about is on the evolutionary scale, there’s a certain evolutionary scale of man, that if Michael Scott is at the top of that evolutionary scale and then next in line would be Dwight, Kevin would be the lowest rung. There have been some scenes and suggestions that if Dwight is the punching bag of Michael, then Kevin might be the punching bag for Dwight.
When the show first started did you have any idea it would turn into such a big hit? When did you first get the sense that this show could really take off?
For me, it was very early on. Maybe I’m insane, but whether or not the show was going to succeed or whether people were going to watch it or it was going to become as large a hit as it has become, I don’t know that I could see it, although I believed it. But when we were shooting the first episode after the pilot, which was Diversity Day, I knew that we were doing something that was special and I felt like we were dealing with characters and situations and social issues that don’t get dealt with in primetime television very often. I felt like it was the most sophisticated, interesting look at a race since All In The Family. We were doing something that people simply don’t do anymore. We think about ourselves as being this progressive society, but whether it’s with PC-ness or whatever, a race is very much a taboo. I felt like in that show, we really dealt with people’s reactions to and thoughts about race and I felt incredibly proud of that episode. That episode will always hold a special place for me. Not to be cheesy or whatever, but I did feel like we were doing something that was special and I hoped that people would watch it.
Would you say that’s your favorite episode so far?
In a nostalgic place maybe. I thought that the Christmas episode was also beautiful in a totally different way. It’s difficult when you have such a large ensemble and so many people that every episode different people are going to be featured or whatever. But that episode I felt like was a perfect combination, everyone had something to do. I think the show works best when it is an ensemble.
I think that’s one of the things that makes the show unique. It’s all of us locked in a room for 60 hours a week trying to come up with a solid 30 minutes of television. Unlike another show where you have a lead and the show and the week and the episode consists of different people having a scene with that one person.
To me, it relates back very well again to a theater because we really have built an ensemble and a working relationship that is unique. Part of it is the given circumstances, that we’re all there because it’s a documentary and the camera may move around and see people, we’re all there all the time just because the camera moves or they want to get a reaction shot from somebody. That’s unique and I think special.
We promised James over at Northern Attack that we would ask a question for him. During the Office Olympics episode, did you actually eat all of the M&Ms you had crammed in your mouth?
(Laughs.) No, I did not. Sorry to disappoint. Part of it is, I don’t think we did that many takes, but I might have gone into some sort of sugar coma or something had I done that. But no, they were spat out.
How excited were you to hear that The Office has been picked up for a third season?
Thrilled. I just thought that they did it so early at the winter press tour and they showed some solidarity with us and with Earl in giving us full seasons. That was just really a shot in the arm in terms of us being able to plan ahead, to look to next year at a really early time, which a lot of shows don’t get to do. After how much we have struggled to stay on the air, you have to give NBC nothing but kudos for how much they’ve stuck by the show. The first year, the audiences were not very large, but I feel like they showed that we had promised. Kevin Riley, specifically, was very excited about the show and they stuck with it.
When you look at shows on other networks that run maybe one time and then go away, the fact that they had the confidence in us is really great. We did six episodes, then they had us come back at the last minute for just six more episodes for season two and then, I think they picked up three more. Then, they picked up a full 13. And then, I think they picked up three more. And then, they finally picked up a full season for this year. Not very long after they had picked up the full season for this year, they picked up a whole other year.